New England Spring, 1942

The rush of rain against the glass
Is louder than my noisy mind
Crying, "Alas!"

The rain shouts: "Hear me, how I melt the ice that clamps
the bent and frozen grass!
Winter cannot come twice
Even this year!
I break it up; I make it water the roots of spring!
I am the harsh beginning, poured in torrents down the hills,
And dripping from the trees and soaking, later,
and when the wind is still,
Into the roots of flowers, which your eyes, incredulous,
soon will suddenly find!
Comfort is almost here."

The sap goes up the maple; it drips fast
From the tapped maple into the tin pail
Through tubes of hollow elder; the pails brim;
Birds with scarlet throats and yellow bellies
sip from the pail's rim.
Snow falls thick; it is sifted
Through cracks about windows and under doors;
It is drifted through hedges into country roads. It cannot last.
Winter is past.
It is hurling back at us boasts of no avail.

But Spring is wise. Pale and with gentle eyes,
one day somewhat she advances;
The next, with a flurry of snow into flake-filled skies retreats
before the heat in our eyes, and the thing designed
By the sick and longing mind in its lonely fancies—
The sally which would force her and take her.
And Spring is kind.
Should she come running headlong in a wind-whipped acre
Of daffodil skirts down the mountain into this dark valley
we would go blind.


(From "Mine The Harvest" 1954)

This is one to just enjoy.

Eel-Grass

Eel-Grass

No matter what I say,
All that I really love
Is the rain that flattens on the bay,
And the eel-grass in the cove;
The jingle-shells that lie and bleach
At the tide-line, and the trace
Of higher tides along the beach:
Nothing in this place.

(From "Second April" 1921)

I love the imagery of the shells sitting on the beach where the tide has left them, and the line on the beach where the water was when the tide has gone out. Lately I am remembering how important it is to visit the ocean, and let the beauty of nature overcome daily stresses.

"I Shall Go Back Again"

I shall go back again to the bleak shore
And build a little shanty on the sand
In such a way that the extremest band
Of brittle seaweed shall escape my door
But by a yard or two; and nevermore
Shall I return to take you by the hand.
I shall be gone to what I understand,
And happier than I ever was before.
The love that stood a moment in your eyes,
The words that lay a moment on your tongue,
Are one with all that in a moment dies,
A little under-said and over-sung.
But I shall find the sullen rocks and skies
Unchanged from what they were when I was young.

(From "Harpweaver" 1923)

Ocean imagery, love lost, nature rediscovered and a passion undefeated by heartache. The last two lines are my favorite.

Exiled

Searching my heart for its true sorrow,
This is the thing I find to be:
That I am weary of words and people,
Sick of the city, wanting the sea;

Wanting the sticky, salty sweetness
Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
Of the big surf that breaks all day.

Always before about my dooryard,
Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
Straggled the purple wild sweet-pea;

Always I climbed the wave at morning,
Shook the sand from my shoes at night,
That now am caught beneath great buildings,
Stricken with noise, confused with light.

If I could hear the green piles groaning
Under the windy wooden piers,
See once again the bobbing barrels,
And the black sticks that fence the weirs,

If I could see the weedy mussels
Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
Overhead, of the wheeling gulls,

Feel once again the shanty straining
Under the turning of the tide,
Fear once again the rising freshet,
Dread the bell in the fog outside,—

I should be happy,—that was happy
All day long on the coast of Maine!
I have a need to hold and handle
Shells and anchors and ships again!

I should be happy, that am happy
Never at all since I came here.
I am too long away from water.
I have a need of water near.


I thought it was time for an ocean poem. Millay grew up on the ocean in northern Maine but she lived most of her adult life travelling and settled in upstate New York with Boissevain. Her description of the sounds, smells and sights of a fishing village are so real and evocative, it makes me feel that I am there with her, and I can almost hear the gulls and smell the salt water. Her declaration the she "has a need to hold and handle/shells and anchors and ships again!" is so decisive it is a call to rush to the beach! I also love the way she begins this poem, trying to found out why she feeling sad and realizing that past all of these daily cares, the true reason for her depression is distance from the ocean. I think that many people can relate to that feeling of being most alive when you are near the ocean, whether it be Pacific, Atlantic or any other!