Song For Young Lovers In A City

Though less for love than for the deep
Though transient death that follows it
These childish mouths grown soft in sleep
Here in a rented bed have met,

They have not met in love's despite.
Such tiny loves will leap and flare
Lurid as coke-fires in the night,
Against a background of despair.

To treeless grove, to grey retreat
Descend in flocks from corniced eaves
The pigeons now on sooty feet,
To cover them with linden leaves.

(Published in Poetry Magazine, 1938)

This poem is interesting in that it is about someone else (at least in theory). Millay wrote very often about her own feelings and experiences, and less often about what she imagined others felt and did. In this poem she draws for us a picture of two people younger than herself, genders unspecified. The first lines pose a riddle, what is the "transient death" she is talking about here that draws these two together? I love the line "lurid as coke-fires in the night" and the image of a sad, grey city that she paints to contrast the relationship she describes. There is a beautiful, song-like quality to the last stanza that sticks with you as the poem ends. Enjoy!

Doubt No More That Oberon

Doubt no more that Oberon—
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,—
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise—
Healthy tree, with trunk and root—
Ivory bowls that bear no fruit,
And the starlings and the jays—
Birds that cannot even sing—
Dare to come again in spring!

(From "Second April")

This poem was running through my head today, perhaps because spring is starting to show itself, even through the rain.

The Snow Storm

No hawk hangs over in this air:
The urgent snow is everywhere.
The wing adroiter than a sail
Must lean away from such a gale,
Abandoning its straight intent,
Or else expose tough ligament
And tender flesh to what before
Meant dampened feathers, nothing more.
Forceless upon our backs there fall
Infrequent flakes hexagonal,
Devised in many a curious style
To charm our safety for a while,
Where close to earth like mice we go
Under the horizontal snow.

(From Huntsman, What Quarry (1939) )

Today we are having quite the blizzard, and Millay manages to capture the very essence of being in the midst of a New England snow storm in this poem. No birds were flying about today, they knew that the wind would be too much. And the people who did venture out looked like little mice running around the huge piles of snow that have accumulated in the parking lot. My favorite turn of phrase in this poem is in the second line: "The urgent snow is everywhere." It does indeed seem this way today, and I'm sure it must have looked even more like that in the huge storms they had in Maine when she was a little girl.