She had forgotten how the August night
Was level as a lake beneath the moon,
In which she swam a little, losing sight
Of shore; and how the boy, who was at noon
Simple enough, not different from the rest,
Wore now a pleasant mystery as he went,
Which seemed to her an honest enough test
Whether she loved him, and she was content.
So loud, so loud the million crickets' choir . . .
So sweet the night, so long-drawn-out late . . .
And if the man were not her spirit's mate,
Why was her body sluggish with desire?
Stark on the open field the moonlight fell,
But the oak tree's shadow was deep and black and secret as a well.
(From "Harpweaver and Other Poems" 1923)
This is the first poem I'm sharing from a collection Millay titled "Sonnets From An Ungrafted Tree" which she published the "Harpweaver" collection in 1923. These sonnets tell the story of a woman who is caring for her dying husband, who she has been separated from for many years. This particular poem is part of a two poem set that tells her memories of how they met many years ago.
In the frigid cold of March, the passion of this poem and its description of a warm summer night are especially wonderful. The story it tells, of interpreting desire as love, is a familiar one that reminds me of the dialouge in Williams' "Streetcar Named Desire." I love the way that Millay phrases the rationalization her character is engaging in "Which seemed to her an honest enough test/ Whether she loved him." The rest of the sonnet series tells us that it was not love, but I'll save the rest for later.
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